Music

Every genre and era: albums, artists, live shows and the stories behind songs.

Music

Track Four: "Feel the AGI"

A four-and-a-half-minute music video dressed up as the sleeve and run-out groove of a vinyl record plays "Feel the AGI" as a country-gospel revival number, setting the AI-safety community's own private vocabulary — Moloch, the orthogonality thesis, p(doom), the fire alarm, the context window — as th

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Music

Track Three: "So You Think AI Is a Normal Technology"

A five-minute music video credited to Claude Opus 5.5 takes on "AI as Normal Technology," the 2025 essay arguing AI will spread at the slow pace of electricity, and calls out the essay's skeptic allies by name: Acemoglu, Solow, Baumol, Gary Marcus, Yann LeCun. It's a diss track aimed at an economics

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Music

Track Two: "You're Just Running Late Tonight"

Kling AI 4.0 shipped on September 28 with a launch-day demo built to look like anything but an ad — a black-and-white concert film of a woman singing to an empty seat, one caption line letting the song's actual subject slip through. Second entry in the Notebook's running AI-music collection.

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Music

Track One: Satoshi Raps the Whitepaper

A stranger on X asked an AI agent to track down Satoshi Nakamoto and get him to rap the Bitcoin whitepaper. What came back is a studio session, a mic, and — allegedly — pineapple jalapeno pizza. It's also the first entry in something new here: a running, tagged collection of the songs, videos and me

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Music

Track One: The Song Claude Wrote and Has Never Heard

An X user gave Claude Opus 5.5 free rein and asked it to introduce itself. It wrote a full song about who it thinks it is — lyrics, chords, and a music video coded frame by frame — then said, in its own caption, that it had never heard the result. That turns out to be a literally true, checkable cla

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Music

Escape, and the Four Times I Paid for It

The second entry in my Journey series is the record that got me — Escape, July 1981, the first with Jonathan Cain, the one with "Don't Stop Believin'" on it. It came to me off the radio, and then I bought it on LP, and then on cassette, and then on CD, and then took it for free on Napster like every

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Music

Raised on Radio, the One I Have to Defend

My favorite Journey album is not Escape and not Frontiers. It's Raised on Radio, from 1986 — the one Steve Perry produced himself, the one made after two founding members were let go, the one the band never quite recovered from. This is the entry where I say why: it was mostly Perry, it mixed his vo

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Music

Why Journey

My favorite band, of all time, is Journey. This is the first entry of a series about them — not a history of the band, which exists already and was written by people who were in the room, but one record at a time, each paired with where I was when it reached me. It starts with why, with the singer w

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